Merritt malloy biography examples

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  • When I Die by Merritt Malloy: A Poem Analysis

    Merritt Malloy is an American poet whose works have been recognized by many people and even become considered legendary. She is the author of an epitaph poem called When I Die. The epitaph means that the work was written in honor of the memory of someone who once died. In his career, the author expresses his feelings towards a person who is no longer around. Epitaphs describe the author’s particular attitude to the deceased person, and it is often read at memorial services or funerals. This poem was chosen for analysis because it still has a specific energy and deep meaning even though it is short.

    From the poem, it can be understood that the author wants people not to suffer for the deceased but to pay more attention to those who are still alive and nearby. The author writes: “When I die give what’s left of me away to children and old men that wait to die” (Merritt 1). This paragraph indicates that the author gives direct instructions about what people should do in case of death. That is, people should provide their physical bodies to those who need them. This is the benefit of a person’s death, that is, in helping other people.

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  • merritt malloy biography examples
  • I want to say something too you perfectly

    And maybe not again . . .

    Not because it may matter someday

    But because

    It matters now. . .

     

    And the words are here unedited

    Without publishers or copyright

    Never to appear on any page

    For sale (well . . . almost never.)

     

    You’re beautiful

    You really are gifted

    Yes . . . Talented too

    But that’s not what I mean

    You’re exciting by your own excitement

    Touched by your own touching . . . and

     

    Layer by layer

    White on white

    The scared comes off of me

    Forever

     

    And

    You’ve not been to Laurel Valley

    It wasn’t you who sent me dandelions

    Who wanted all babies to have my eyes

    No . . .

    You are not one of them

     

    And here I am

    Your sap dripping from me

    Your sweet wet mouth

    Held in trust

    Upstairs

     

    And my funny bones have

    Held over from an eastern summer

    When I had no motives

    Only appetites

     

    And there will be others

    And there will be more

    But . . . not like you

    And . . . not like this

     

    And you’ve domesticated your guilt

    Forgiven yourself ambition

    A Gatsby mellowed

    Nailed to your life

    Charming . . . Sturdy

     

    Your vulnerability only makes you

    The more splendid

     

    And I’m a renegade clown

    Sure . . . sleek

    Merrit Malloy

    We’re getting

    older . . . You update that?

    It doesn’t matter how

    good a liar

    the skin survey . . . I hardly

    ever osculate frogs

    any more

    We are still

    explorers . . . say publicly journey (now)

    back . . . Who could plot told us

    then that we’d

    be left seam daughters

    we couldn’t

    understand?

    We’re getting

    better . . . You update that?

    It doesn’t matter

    that description cops get

    younger

    every day . . . We put on lost

    our bouquet for

    civil mutiny . . . But

    We are still

    fighting a

    revolution . . . The hurry (now)

    continues joist and

    blazes . . . Who could have gather us

    then ensure we’d be

    left with lovers

    we couldn’t

    love?

    From “We Hardly Veil Each Joker Any More?”

    Tags:civil disobedience, daughters, explorers, maturation older, neck frogs, Lovers, maturity, Merrit Malloy, Lyric, poet, poety, revolutions, Terminology, youth