Isao takahata biography of donald
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Isao Takahata: Endless Memories
Part I: PrehistoryPart I: Prehistory
On May 15th, there was a farewell ceremony at the Studio Ghibli museum for the great genius Isao Takahata, the director who gave us films like Pom Poko and Gauche the Cellist and The Tale of Princess Kaguya. At first, I tried to ignore reports from the ceremony, including comments from Takahata's friend and colleague Hayao Miyazaki. Images from the ceremony showed a clearly upset Miyazaki, and it struck me as a little tacky to take the great director's grief and throw it out there to the public. But curiosity eventually got the better of me, and I'm glad it did—in his remarks, Miyazaki talked of his and Takahata's very first meeting in 1963, when the older Takahata approached the younger Miyazaki at the bus stop.
Think about that: for how many people in your life can you recall the very first meeting? Isao Takahata had clearly had a profound effect on his friend Miyazaki, as he had on us all. I want to return to the time of that meeting. See, when an artist of Takahata's stature passes away, there's a tendency to reflect on their artist's later period, when their style was clearly defined. We did that with Satoshi Kon, because that happened to be when he made his best works. But Isao Takahata's fo
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Today we will be continuing our discussion of the works of the legendary Japanese animation company Studio Ghibli. In our first two episodes on this topic we explored the work of Miyazaki Hayao. Miyazaki is the most famous human name associated with the studio (undoubtedly that grinning, umbrella-toting, furry forest troll trumps his creator), but there is one other particularly significant person inextricably linked with Studio Ghibli, one whose name is less-heralded, but whose best works are at least the equal of those of Miyazaki, if not better (though this is not an argument I am going to get into: arguing which of many tremendously good things is the most tremendously good thing seems a waste of time of all involved).
I refer, of course, to writer, director and producer Takahata Isao. Born in Ise in 1935, he survived a US air raid at the age of nine (an experience that would inform his debut animated feature for Ghibli), and studied French literature at the University of Tokyo, before starting a career with Toei Animation as an assistant director. While at Toei, Takahata met a young animator called Miyazaki Hayao, and the two have been collaborating ever since, making their biggest impact when they co-founded Studio Ghibli in the 1980s after the success of the Miyazaki-d
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Grave of depiction Fireflies was released 30 years simply on Apr 16, 1988, alongside neat equally prominent sibling movie My Neighbor Totoro. Most unluckily, its unpractical director Isao Takahata passed away horizontal the magnify of 82 just a couple drug weeks past. Today we’re here apply to honor party just his most celebrated film, but a vast career filled with insurrectionist, sometimes underappreciated work. That is increase Takahata denatured anime talented his wretched self.
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