Walter albini guardaroba milano
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Italian Fashion since 1945
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Curating Italian Fashion: Heritage, Industry, Institutions 9781350230774, 9781350230804, 9781350230781
Table of contents :
Cover
Half Title
Title
Copyright
Contents
Illustrations
Preface
Acknowledgements
Introduction
1 Constructing Italian fashion heritage
2 Industry and corporate heritage in Italy
3 Corporate heritage and institutions
4 A history of fashion curation in Italy
5 Industry and curation: A critical commentary
6 Concluding remarks
Notes
1 Constructing Italian fashion heritage
2 Industry and corporate heritage in Italy
3 Corporate heritage and institutions
4 A history of fashion curation in Italy
5 Industry and curation: A critical commentary
References
Index
Citation preview
Curating Italian Fashion
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Curating Italian Fashion Heritage, Industry, Institutions Matteo Augello
BLOOMSBURY VISUAL ARTS Bloomsbury Publishing Plc 50 Bedford Square, London, WC1B 3DP, UK 1385 Broadway, New York, NY 10018, USA 29 Earlsfort Terrace, Dublin 2, Ireland BLOOMSBURY, BLOOMSBURY VISUAL ARTS and the Diana logo are trademarks of Bloomsbury Publishing Plc First published in Great Britain 2022 Copyright © Matteo Augello, 2022 Matteo Augello has asserted his right under the Copyright, Designs and Patents Act, 1988, to be identified as Author of this work. For legal
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GRAPHIC DESIGN AND VISUAL COMMUNICATION lR
Ornella Noorda
Ornella Noorda graduated in Sculpture from the Brera Academy of Fine Arts with artist and sculptor Marino Marini and Alik Cavaliere. Her works include the sculptures created for the exhibition held at Villa Olmo in Como, and for the “Il Milione” gallery in Milan: it was thanks to these pieces that she was honoured with an award at Quirinale Palace by the President of the Italian Republic Antonio Segni.
In 1959, she began to collaborate with la Rinascente as external consultant of the design office, working closely with Augusto Morello and Amneris Latis. She designed exclusive items for a number of events including ‘Natale Idea’, ‘Casa Idea’, ‘l’Ufficio’ and ‘La Caccia’.
With her expertise in textiles, she created table sets, such as tablecloths, as well as bedroom sets: cushions, bed sheets, covers, quilts, rugs and upholstery fabrics.
“In 1960, I was pregnant with my first child, and so I drew a lot of inspiration from the motif of children. I particularly remember a window display, the first one on the left, under the portico of the Rinascente store in Piazza Duomo: bed sheets, tablecloths and bibs were displayed, hanging from taut threads almost as if in reference to washing lines, that I had exclusively