Stephen hawking vs eddie redmayne biography

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  • Eddie Redmayne: ‘How I played Stephen Hawking’

    The Theory of Everything tells the story of Stephen Hawking’s struggle with motor neurone disease. Tom Brook talks to the film’s star Eddie Redmayne.

    He was diagnosed with motor neurone disease at the age of 21, and told he only had two years to live. But Stephen Hawking went on to become one of the most respected theoretical physicists in the world, still lecturing at 72.

    A new film – starring Eddie Redmayne and Felicity Jones – is inspired by the memoir by Hawking’s ex-wife Jane. The Theory of Everything tells the story of the couple’s romance and Hawking’s diagnosis: he has said that their engagement “gave him something to live for”.

    Redmayne has been praised for a visceral performance that drew on months of research into the disease. He tells Tom Brook about meeting Hawking on set, and what he learned from spending time with MND sufferers.

    “It’s like being in a prison with the walls getting smaller everyday… what it did to Stephen was it catalysed him to live life fully.”

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    Eddie Redmayne ideology Meeting Writer Hawking put The Assumption of Everything

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    On his prematurely knowledge doomed Stephen Hawking

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  • stephen hawking vs eddie redmayne biography
  • Eddie Redmayne’s theory of acting Stephen Hawking

    It's a good story: Burberry model plays astrophysicist Stephen Hawking and gets a Golden Globe nomination for his performance. An Oscar nod, according to respectable turf accountants, looks certain.

    It's true: Eddie Redmayne has appeared in Burberry campaigns. It's also true that the freckle-faced Redmayne may not have seemed like the most obvious candidate to play the planet's most famous scientist.

    But as any mindful Redmayne-watcher – or, to use the preferred nomenclature, Redmayniac – could tell you, the 32-year-old's turn as Hawking in The Theory of Everything is no fluke. For the past decade, the same actor has been picking up awards and acclaim: he was named Outstanding Newcomer at the 2004 Evening Standard Theatre Awards and the Critics' Circle for his performance in Edward Albee's The Goat, or Who Is Sylvia?; in 2010 he won an Olivier Award and a Tony for his work in John Logan's Red.

    Onscreen, he has proved remarkably versatile: “Very often, too often, you play a type because you look like a type, you sound like a type,” he says. “I was lucky enough to go to university and have the space to explore things and fail. A lot of very bad work got done. But the second you get into the real world of the industry,