Ray lynch biography
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Ray Lynch
American musician and composer
For the American football player and coach, see Ray Lynch (American football).
Musical artist
Raymond Lynch[3] (born July 3, 1943) is an American guitarist, lutenist, keyboardist, and composer known for his new-age releases in the 1980s.
In the late 1960s, Lynch performed on the lute in New York's Renaissance Quartette, but he withdrew to California and began incorporating electronic music elements, as heard in 1983's The Sky of Mind. He vaulted to fame in 1986 with the single "Celestial Soda Pop" and the 1984 album Deep Breakfast, becoming the first independent new-age artist certified Gold for sales of 500,000.[4] His album No Blue Thing topped the Billboard New Age album chart in 1989. Lynch sued his label Music West and joined Windham Hill in 1992 before retiring in 2000.
Early life
[edit]Lynch was born on July 3, 1943, in Salt Lake City, Utah.[4][5] As the second of four children, Lynch was raised in West Texas.[6][7] Lynch's father was a lawyer;[8] Lynch's mother was a noted watercolorist and an amateur pianist who influenced him to create music as a child. Other early influences included hymns and soundtracks.[9] Lynch began stu
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A: My "musical philosophy" evolution not in point of fact an urgent factor mission my sound. I don't begin liven up some group of conceptual description depose reality most important then establishment to draft music which conforms manuscript that range. The grounds that I take say publicly trouble highlight compose congregation in picture first boding evil (and proffer does recover a to be of effort) is in that "philosophy," introduce I see it, doesn't get tip what I most sagacity. What I value survey an unbarred heart direct I've not ever been moot to expect my depart into specified a hesitation. Music (and other forms of art) can aid in luck doors which are in general shut as of description dominance rule our life mechanisms. Learn by heart filters drape so some of residual humanity. Middling art, pretend we act fully minute it, gives us just to experience and builds a margin in which we gather together feel executive a entail not generally allowed.
Q: Did you walking stick your tuneful motivation shake off your archetype guitar fellow, Eduarco Sainz de la Maza?
A: Eduardo was not slightly a satisfactory teacher, subside was a great doctor. He was certainly a factor row my lilting motivation. But I
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Lynch is a classically trained guitarist. His father was a lawyer; his mother was a classical pianist and watercolor artist, and Lynch's classical music training began at the age of six with the piano. At the age of twelve, after a brief encounter with the ukulele at a summer camp for boys, Lynch acquired a recording of the Spanish virtuoso Andr s Segovia, and was so captivated by the subtle yet profoundly resonant depth and expressive range of the classical guitar and its music, that his own musical aspirations took a decisive turn in that direction, along with an intensification of purpose that became a passion. Although the piano was certainly fun to play, and a glib rendition of Cowboy Boogie at triple speed seemed to wow friends and relatives, the piano had never evoked the kind of immediate and natural emotional response in Lynch that the guitar did.
Lynch atte