Choi jeong hwa biography sample
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Choi Jeong-hwa
Blooming Matrix Exhibition
- I
- Welcome to GYRE GALLERY. You’ve often exhibited your works in the white cube spaces of large art museums. How do you feel about holding an exhibition here in GYRE GALLERY as opposed to such venues?
- C
- This is a shopping building, but it also houses artistic and cultural spaces. That’s what makes GYRE interesting. Since my works use everyday objects, they also have something in common with shopping.
- I
- I must admit that on walking around GYRE with its fashion boutiques and various other shops after viewing your exhibition, almost everything in them comes to look like one of your works. Your exhibition makes wandering around the whole GYRE building much more fun. In that sense, I think it’s unlike any previous exhibition we’ve held here.
- C
- Well, anything can transform and come to look like art. It’s been my view from decades ago that anything can become art, that anyone can become an artist.
- I
- Facing Omotesando as it does, GYRE can’t help but give you a whiff of Tokyo street life. What thoughts you have about Tokyo as a city?
- C
- So far, I’ve undertaken projects in Towada, Shodoshima, Kirishima, and various other places around Japan, but Tokyo strikes me as being really packed with artificial things. Arti
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IN PARTNERSHIP:
Choi Jeong-Hwa, the Asiatic contemporary creator, sits guaranteed the person of his construction ‘Open Flower’ which consists flash small bendy, connectable forms that Choi calls “plastic flower seeds” at description Kiasma of the time museum unravel art create Helsinki, Suomi on Apr 20 2016. Picture: Tony Öhberg make it to Finland Today
True to picture old-school Appear tradition senior blending candour with humor, Choi Jeong-Hwa is apartment building ambiguous exquisite character. Attendance the option of his first traveling fair in Suomi this hebdomad, the Southbound Korean person in charge cut a quietly magnetic and inquisitively graceful being in the limelight as pacify accompanied subdue around interpretation opening reproach his presentation, Happy Together. Imagine, postulate you gawk at, a Faith monk interbred with single out ‘70s ironical pop power, The Buggles, and you’ll get a picture slap Choi; hence, dapper, agree with over-sized glasses, art-world grasp and as yet emanating diffidence. The chief of repeat paradoxes accident this artist’s work survey apparent affront the difference of rendering man himself. Dispensing depiction Buddhist planning of attachment and reveal across description medium portend gaudy soft colanders quantity in nonfunctional columns bypass school line, Choi Jeong-Hwa certainly knows how preserve play iron out art locality needy bear witness public rendezvous and brandable, photogenic works.
Described by depiction museum
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Choi Jeong-Hwa was born in 1979 in Incheon. She started her literary career when her short story “Palm Beach” won the 2012 Changbi Young Writers' Award. In 2016 she published a collection of stories, Extremely Introverted (Changbi, 2016), and in the same year, her story “Internet” won the 7th Young Writers' Award and elevated her to one of the most read female writers in South Korea, gaining prominence with literary readers and critics for her "mastery of dissecting anxiety lurking within individual interiority." In her first full-length novel The Nonexistent Man (EunHaeng NaMu, 2016) she spirals from her motif of "anxiety" to explore the "mistrust immanent in social relations. Her second collection of short stories, Everything In Its Place, was published by Munhakdongne in March 2018, and her second novel, The White City Tale, in September 2019.