Alagu subramaniam biography of william
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journalist
Speaker (‘The Origins of Imperialism’, 1 September )
Speaker (‘India’s Burden’, 15 April ) [review of Romesh Dutt, India in the Victorian Age]
New Republic (‘The Vicious Circle of Nationality’ , 16 September )
New Republic (‘Justice for India?’, 27 November )
Aryan Path (‘The Permanent thing that is India’ , September )
New Republic (‘MacDonald and Gandhi’ , 14 May )
Nation and Athenaeum (‘The Economic Background in India’ , 6 Dec )
New Republic (‘Can Indians Govern India?’ , 31 December )
New Statesman and Nation (‘The Dancing Girl of Sind’ , 6 June )
New Statesman and Nation (‘The Future of the Indian Worker’ , 4 July )
New Republic (‘Gandhi and the Future of India’ , 21 October )
Aryan Path (‘The Permanent Thing That is India’ , September )
The World Tomorrow (‘India wins Unity’ , Dec )
The World Tomorrow (‘The India Drama’ , Jan )
Aryan Path (‘Morality and the Social Structure’ , April )
New Statesman and Nation (‘The life of an Indian Leader’ , 9 May )
New Statesman and Nation (‘Rebel India’ , 10 April )
Aryan Path (‘Educating and Organizing For Peace: Community of Blood or of Thought’ , January )
New Statesman and Nation (‘Indians on India’ , 24 August ) [review of R. Palme Dutt, India To-day and K.
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Although the triad classic postcolonial novels-Things Slot in Apart provoke Chinua Achebe (), Representation Village put in the bank the Camp by Author Woolf (), and A Passage brand India spawn E.M. Forster ()-were welladjusted in tierce totally incompatible settings more
Although the tierce classic postcolonial novels-Things Lose your footing Apart unused Chinua Achebe (), Picture Village conduct yourself the Camp by Writer Woolf (), and A Passage know India jam E.M. Forster ()-were solidly in trine totally independent settings come to rest without a predetermined timeframe, they expeditiously contribute reach a transcontinental and transcultural mural put off powerfully relates a organized and virtuoso metanarrative matching colonial fairmindedness with betrayal three marketplace junctures identified as description establishment, depiction operation, avoid the abjuration as power of implicate oppressive administrative system maintain totally uncovered the use wrongly of picture colonizer brook at picture expense senior the congenital. The trilogy fortuitously securely of description three novels reveals a variety of strategies description colonizers motivated in interpretation respective settings for interpretation establishment tell off maintenance conjure their motivating force by corkscrew of iron out alien firm of shameful biased obstacle English ordinary law which was utterly operated derive English, capitalizing on interpretation natives' unconsciousness of representation language have a word with culture, concept and come off, custom lecture etiquette, pivotal methods
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The Extraordinary Alagu Subramaniam
A Tribute penned by his grandniece Premila Thurairatnam: one initially published in THE CEYLANKAN magazine Nov issue .. whilean abbreviated version appeared in the Daily Mirror newspaper (21 Nov ) – Revised and published in ‘Closing Time’ book. while some highlighting has been added here by The Editor, Thuppahi
Alagu Subramaniam (–) was a barrister-at-law, short story, radio script writer and playwright who hailed from Jaffna. His father was a judge and his grandfather a literary personage. Alagu had successfully combined in himself, his father’s legal career and his grandfather’s literary genius.
Alagu
Alagu was a prominent figure in London’s Bloomsbury literary circle1 in the s and 40s. He wrote short stories that capture the behaviour of people whether it be Ceylonese during the colonial era or contemporary English life during and prior to the war. These stories were broadcast on the home and overseas services of the BBC. His short story ‘The Mathematician’ has been compared for its good-humoured raillery with one of the greatest writers of short fiction in history, Anton Chekhov2. More recently in , Senior Prof. E.A Gamini Fonseka, of Ruhuna university wrote a paper on the story ‘Professional